International Society for Music Information Retrieval Conference (2012)
Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012
Influence in Early Electronic Dance Music: An Audio Content Analysis Investigation
Nick Collins
Association Mining of Folk Music Genres and Toponyms
Kerstin Neubarth
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Izaro Goienetxea
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Colin Johnson
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Darrell Conklin
Characterization of Embellishments in Ney Performances of Makam Music in Turkey
Tan Hakan Özaslan
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Xavier Serra
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Josep Lluís Arcos
Cross-cultural Music Mood Classification: A Comparison on English and Chinese Songs
Yi-Hsuan Yang
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Xiao Hu
Towards a (Better) Definition of the Description of Annotated MIR Corpora
Geoffroy Peeters
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Karën Fort
Modeling Musical Mood From Audio Features and Listening Context on an In-Situ Data Set
Diane K. Watson
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Regan L. Mandryk
Analyzing Drum Patterns Using Conditional Deep Belief Networks
Eric Battenberg
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David Wessel
N-gram Based Statistical Makam Detection on Makam Music in Turkey Using Symbolic Data
Erdem Ünal
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Baris Bozkurt
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Mustafa Kemal Karaosmanoglu
Evaluating the Online Capabilities of Onset Detection Methods
Sebastian Böck
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Florian Krebs
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Markus Schedl
Structure-Based Audio Fingerprinting for Music Retrieval
Peter Grosche
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Joan Serrà
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Meinard Müller
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Josep Lluís Arcos
Bridging Printed Music and Audio Through Alignment Using a Mid-level Score Representation
Özgür Izmirli
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Gyanendra Sharma
Real-time Online Singing Voice Separation from Monaural Recordings Using Robust Low-rank Modeling
Pablo Sprechmann
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Alexander M. Bronstein
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Guillermo Sapiro
Folksonomy-based Tag Recommendation for Online Audio Clip Sharing
Frederic Font
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Joan Serrà
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Xavier Serra
Infinite Composite Autoregressive Models for Music Signal Analysis
Kazuyoshi Yoshii
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Masataka Goto
Professionally-produced Music Separation Guided by Covers
Timothée Gerber
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Martin Dutasta
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Laurent Girin
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Cédric Févotte
Bayesian Nonnegative Harmonic-Temporal Factorization and Its Application to Multipitch Analysis
Daichi Sakaue
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Takuma Otsuka
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Katsutoshi Itoyama
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Hiroshi G. Okuno
A Scape Plot Representation for Visualizing Repetitive Structures of Music Recordings
Meinard Müller
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Nanzhu Jiang
A Systematic Comparison of Music Similarity Adaptation Approaches
Daniel Wolff
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Sebastian Stober
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Andreas Nürnberger
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Tillman Weyde
Using Hyper-genre Training to Explore Genre Information for Automatic Chord Estimation
Yizhao Ni
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Matt McVicar
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Raúl Santos-Rodriguez
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Tijl De Bie
Semi-supervised NMF with Time-frequency Annotations for Single-channel Source Separation
Augustin Lefèvre
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Francis R. Bach
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Cédric Févotte
Neon.js: Neume Editor Online
Gregory Burlet
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Alastair Porter
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Andrew Hankinson
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Ichiro Fujinaga
Modeling Chord and Key Structure with Markov Logic
Hélène Papadopoulos
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George Tzanetakis
A Geometric Language for Representing Structure in Polyphonic Music
David Meredith
Unsupervised Learning of Local Features for Music Classification
Jan Wülfing
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Martin A. Riedmiller
Modeling Piano Interpretation Using Switching Kalman Filter
Yupeng Gu
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Christopher Raphael
Interpreting Rhythm in Optical Music Recognition
Rong Jin
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Christopher Raphael
Assigning a Confidence Threshold on Automatic Beat Annotation in Large Datasets
José Ricardo Zapata
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Andre Holzapfel
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Matthew E. P. Davies
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João Lobato Oliveira
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Fabien Gouyon
A Corpus-based Study of Rhythm Patterns
Matthias Mauch
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Simon Dixon
One in the Jungle: Downbeat Detection in Hardcore, Jungle, and Drum and Bass
Jason Hockman
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Matthew E. P. Davies
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Ichiro Fujinaga
A MIREX Meta-analysis of Hubness in Audio Music Similarity
Arthur Flexer
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Dominik Schnitzer
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Jan Schlueter
How Significant is Statistically Significant? The case of Audio Music Similarity and Retrieval
Julián Urbano
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J. Stephen Downie
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Brian McFee
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Markus Schedl
Statistical Characterisation of Melodic Pitch Contours and its Application for Melody Extraction
Justin Salamon
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Geoffroy Peeters
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Axel Röbel
Detecting Melodic Motifs from Audio for Hindustani Classical Music
Joe Cheri Ross
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Vinutha T. P.
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Preeti Rao
Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms
Gopala K. Koduri
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Joan Serrà
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Xavier Serra
Discriminative Non-negative Matrix Factorization for Multiple Pitch Estimation
Nicolas Boulanger-Lewandowski
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Yoshua Bengio
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Pascal Vincent
A Feature Relevance Study for Guitar Tone Classification
Wolfgang Fohl
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Andreas Meisel
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Ivan Turkalj
String Methods for Folk Tune Genre Classification
Ruben Hillewaere
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Bernard Manderick
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Darrell Conklin
A Turkish Makam Music Symbolic Database for Music Information Retrieval: SymbTr
Mustafa Kemal Karaosmanoglu
Polyphonic Music Classification on Symbolic Data Using Dissimilarity Functions
Yoko Anan
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Kohei Hatano
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Hideo Bannai
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Masayuki Takeda
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Ken Satoh
Semiotic Structure Labeling of Music Pieces: Concepts, Methods and Annotation Conventions
Frédéric Bimbot
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Emmanuel Deruty
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Gabriel Sargent
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Emmanuel Vincent
Large-Scale Cover Song Recognition Using the 2D Fourier Transform Magnitude
Thierry Bertin-Mahieux
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Daniel P. W. Ellis
Creating Ground Truth for Audio Key Finding: When the Title Key May Not Be the Key
Ching-Hua Chuan
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Elaine Chew
Understanding User Requirements for Music Information Services
Jin Ha Lee
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Nichole Maiman Waterman
The Impact of MIREX on Scholarly Research (2005 - 2010)
Sally Jo Cunningham
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David Bainbridge
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J. Stephen Downie
An Emotion Model for Music Using Brain Waves
Rafael Cabredo
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Roberto Sebastian Legaspi
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Paul Salvador Inventado
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Masayuki Numao
Music Structure Analysis by Ridge Regression of Beat-synchronous Audio Features
Yannis Panagakis
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Constantine Kotropoulos
Score-Informed Leading Voice Separation from Monaural Audio
Cyril Joder
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Björn W. Schuller
On Measuring Syncopation to Drive an Interactive Music System
George Sioros
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Andre Holzapfel
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Carlos Guedes
Current Challenges in the Evaluation of Predominant Melody Extraction Algorithms
Justin Salamon
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Julián Urbano
Improving Audio Chord Transcription by Exploiting Harmonic and Metric Knowledge
W. Bas de Haas
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José Pedro Magalhães
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Frans Wiering
Reducing Tempo Octave Errors by Periodicity Vector Coding And SVM Learning
Aggelos Gkiokas
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Vassilis Katsouros
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George Carayannis
Context-free 2D Tree Structure Model of Musical Notes for Bayesian Modeling of Polyphonic Spectrograms
Hirokazu Kameoka
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Kazuki Ochiai
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Masahiro Nakano
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Masato Tsuchiya
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Shigeki Sagayama
Compressing Music Recordings into Audio Summaries
Oriol Nieto
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Eric J. Humphrey
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Juan Pablo Bello
Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic Music
Mert Bay
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Andreas F. Ehmann
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James W. Beauchamp
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Paris Smaragdis
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J. Stephen Downie
Feature Learning in Dynamic Environments: Modeling the Acoustic Structure of Musical Emotion
Erik M. Schmidt
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Jeffrey J. Scott
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Youngmoo E. Kim
User-centered Measures vs. System Effectiveness in Finding Similar Songs
Xiao Hu
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Noriko Kando
Towards Time-resilient MIR Processes
Rudolf Mayer
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Andreas Rauber
Hypergraph Models of Playlist Dialects
Brian McFee
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Gert R. G. Lanckriet
Learning to Embed Songs and Tags for Playlist Prediction
Joshua L. Moore
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Shuo Chen
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Thorsten Joachims
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Douglas Turnbull
Extracting Semantic Information from an Online Carnatic Music Forum
Mohamed Sordo
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Joan Serrà
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Gopala K. Koduri
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Xavier Serra
Ranking Lyrics for Online Search
Robert Macrae
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Simon Dixon
The Role Of Music in the Lives of Homeless Young People: A Preliminary Report
Jill Palzkill Woelfer
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Jin Ha Lee
A Survey on Music Listening and Management Behaviours
Mohsen Kamalzadeh
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Dominikus Baur
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Torsten Möller
Automatic Music Transcription: Breaking the Glass Ceiling
Emmanouil Benetos
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Simon Dixon
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Dimitrios Giannoulis
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Holger Kirchhoff
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Anssi Klapuri
Putting the User in the Center of Music Information Retrieval
Markus Schedl
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Arthur Flexer
The Impact (or Non-impact) of User Studies in Music Information Retrieval
Jin Ha Lee
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Sally Jo Cunningham
Mel Cepstrum & Ann Ova: The Difficult Dialog Between MIR and Music Cognition
Jean-Julien Aucouturier
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Emmanuel Bigand
Moving Beyond Feature Design: Deep Architectures and Automatic Feature Learning in Music Informatics
Eric J. Humphrey
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Juan Pablo Bello
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Yann LeCun
Reuse, Remix, Repeat: the Workflows of MIR
Kevin R. Page
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Benjamin Fields
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David De Roure
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Tim Crawford
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J. Stephen Downie
Multi-Template Shift-Variant Non-Negative Matrix Deconvolution for Semi-Automatic Music Transcription
Holger Kirchhoff
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Simon Dixon
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Anssi Klapuri
Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings
Aggelos Pikrakis
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Francisco Gómez
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Sergio Oramas
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José Miguel Díaz-Báñez
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Joaquín Mora
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Francisco Escobar-Borrego
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Emilia Gómez
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Justin Salamon
A Cross-version Approach for Stabilizing Tempo-based Novelty Detection
Meinard Müller
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Thomas Prätzlich
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Jonathan Driedger
Fast Identification of Piece and Score Position via Symbolic Fingerprinting
Andreas Arzt
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Sebastian Böck
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Gerhard Widmer
A Multimedia Search and Navigation Prototype, Including Music and Video-clips
Geoffroy Peeters
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Frédéric Cornu
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Christophe Charbuillet
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Damien Tardieu
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Juan José Burred
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Marie Vian
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Valérie Botherel
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Jean-Bernard Rault
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Jean-Philippe Cabanal
Chord Recognition Using Duration-explicit Hidden Markov Models
Ruofeng Chen
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Weibin Shen
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Ajay Srinivasamurthy
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Parag Chordia
Finding Repeating Stanzas in Folk Songs
Ciril Bohak
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Matija Marolt
Detecting Episodes with Harmonic Sequences for Fugue Analysis
Mathieu Giraud
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Richard Groult
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Florence Levé
Inferring Chord Sequence Meanings via Lyrics: Process and Evaluation
Tom O'Hara
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Nico Schüler
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Yijuan Lu
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Dan Tamir
Facilitating Comprehensive Benchmarking Experiments on the Million Song Dataset
Alexander Schindler
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Rudolf Mayer
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Andreas Rauber
Decoding Tempo and Timing Variations in Music Recordings from Beat Annotations
Andrew Robertson
Unsupervised Chord-Sequence Generation from an Audio Example
Katerina Kosta
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Marco Marchini
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Hendrik Purwins
Listening Level Changes Music Similarity
Michael Terrell
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György Fazekas
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Andrew Simpson
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Jordan B. L. Smith
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Simon Dixon
Pitch Content Visualization Tools for Music Performance Analysis
Luis Jure
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Ernesto López
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Martín Rocamora
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Pablo Cancela
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Haldo Sponton
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Ignacio Irigaray
A Multipitch Approach to Tonic Identification in Indian Classical Music
Justin Salamon
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Sankalp Gulati
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Xavier Serra
Separating Presentation and Content in MEI
Laurent Pugin
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Johannes Kepper
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Perry Roland
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Maja Hartwig
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Andrew Hankinson
A Study of Intonation in Three-Part Singing using the Automatic Music Performance Analysis and Comparison Toolkit (AMPACT)
Johanna Devaney
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Michael I. Mandel
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Ichiro Fujinaga
Influence of Peak Selection Methods on Onset Detection
Carlos Rosão
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Ricardo Ribeiro
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David Martins de Matos
Evaluation of Musical Features for Emotion Classification
Yading Song
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Simon Dixon
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Marcus T. Pearce
BLAST for Audio Sequences Alignment: A Fast Scalable Cover Identification Tool
Benjamin Martin
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Daniel G. Brown
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Pierre Hanna
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Pascal Ferraro
A Cross-cultural Study of Music Mood Perception between American and Chinese Listeners
Xiao Hu
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Jin Ha Lee
Shortest Path Techniques for Annotation and Retrieval of Environmental Sounds
Brandon Mechtley
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Andreas Spanias
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Perry Cook
Multivariate Autoregressive Mixture Models for Music Auto-Tagging
Emanuele Coviello
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Yonatan Vaizman
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Antoni B. Chan
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Gert R. G. Lanckriet
Building Musically-relevant Audio Features through Multiple Timescale Representations
Philippe Hamel
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Yoshua Bengio
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Douglas Eck
A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals
Juan J. Bosch
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Jordi Janer
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Ferdinand Fuhrmann
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Perfecto Herrera
Learning Sparse Feature Representations for Music Annotation and Retrieval
Juhan Nam
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Jorge Herrera
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Malcolm Slaney
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Julius O. Smith III
Score Analyzer: Automatically Determining Scores Difficulty Level for Instrumental e-Learning
Véronique Sébastien
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Henri Ralambondrainy
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Olivier Sébastien
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Noël Conruyt
Digital Document Image Retrieval Using Optical Music Recognition
Andrew Hankinson
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John Ashley Burgoyne
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Gabriel Vigliensoni
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Alastair Porter
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Jessica Thompson
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Wendy Liu
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Remi Chiu
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Ichiro Fujinaga
Music/Voice Separation Using the Similarity Matrix
Zafar Rafii
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Bryan Pardo
Breathy or Resonant - A Controlled and Curated Dataset for Phonation Mode Detection in Singing
Polina Proutskova
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Christophe Rhodes
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Geraint A. Wiggins
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Tim Crawford
Robust Singer Identification in Polyphonic Music using Melody Enhancement and Uncertainty-based Learning
Mathieu Lagrange
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Alexey Ozerov
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Emmanuel Vincent
Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing
Emilia Gómez
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Francisco J. Cañadas-Quesada
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Justin Salamon
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Jordi Bonada
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Pedro Vera-Candeas
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Pablo Cabañas Molero