International Society for Music Information Retrieval Conference (2015)
Proceedings of the 16th International Society for Music Information Retrieval Conference, ISMIR 2015, Málaga, Spain, October 26-30, 2015
Image Quality Estimation for Multi-Score OMR
Dan Ringwalt
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Roger B. Dannenberg
Comparative Music Similarity Modelling Using Transfer Learning Across User Groups
Daniel Wolff
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Andrew MacFarlane
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Tillman Weyde
Modeling Genre with the Music Genome Project: Comparing Human-Labeled Attributes and Audio Features
Matthew Prockup
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Andreas F. Ehmann
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Fabien Gouyon
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Erik M. Schmidt
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Òscar Celma
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Youngmoo E. Kim
Cover Song Identification with Timbral Shape Sequences
Christopher J. Tralie
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Paul Bendich
On the Impact of Key Detection Performance for Identifying Classical Music Styles
Christof Weiß
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Maximilian Schaab
Chord Detection Using Deep Learning
Xinquan Zhou
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Alexander Lerch
Temporal Music Context Identification with User Listening Data
Cameron Summers
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Phillip Popp
Improving Music Recommendations with a Weighted Factorization of the Tagging Activity
Andreu Vall
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Marcin Skowron
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Peter Knees
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Markus Schedl
An Efficient State-Space Model for Joint Tempo and Meter Tracking
Florian Krebs
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Sebastian Böck
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Gerhard Widmer
Automatic Handwritten Mensural Notation Interpreter: From Manuscript to MIDI Performance
Yu-Hui Huang
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Xuanli Chen
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Serafina Beck
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David Burn
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Luc Van Gool
Infinite Superimposed Discrete All-Pole Modeling for Multipitch Analysis of Wavelet Spectrograms
Kazuyoshi Yoshii
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Katsutoshi Itoyama
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Masataka Goto
Melodic Similarity in Traditional French-Canadian Instrumental Dance Tunes
Laura Risk
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Lillio Mok
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Andrew Hankinson
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Julie Cumming
A Semantic-Based Approach for Artist Similarity
Sergio Oramas
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Mohamed Sordo
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Luis Espinosa Anke
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Xavier Serra
Predicting Pairwise Pitch Contour Relations Based on Linguistic Tone Information in Beijing Opera Singing
Shuo Zhang
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Rafael Caro Repetto
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Xavier Serra
Song2Quartet: A System for Generating String Quartet Cover Songs from Polyphonic Audio of Popular Music
Graham Percival
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Satoru Fukayama
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Masataka Goto
Exploring Data Augmentation for Improved Singing Voice Detection with Neural Networks
Jan Schlüter
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Thomas Grill
Audio Chord Recognition with a Hybrid Recurrent Neural Network
Siddharth Sigtia
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Nicolas Boulanger-Lewandowski
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Simon Dixon
Design and Evaluation of a Probabilistic Music Projection Interface
Beatrix Vad
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Daniel Boland
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John Williamson
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Roderick Murray-Smith
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Peter Berg Steffensen
Conceptual Blending in Music Cadences: A Formal Model and Subjective Evaluation
Asterios I. Zacharakis
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Maximos A. Kaliakatsos-Papakostas
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Emilios Cambouropoulos
Harmonic-Percussive Source Separation Using Harmonicity and Sparsity Constraints
Jeongsoo Park
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Kyogu Lee
A Hierarchical Bayesian Framework for Score-Informed Source Separation of Piano Music Signals
Wai Man Szeto
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Kin Hong Wong
Automatic Tune Family Identification by Musical Sequence Alignment
Patrick E. Savage
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Quentin D. Atkinson
Evaluation of Album Effect for Feature Selection in Music Genre Recognition
Igor Vatolkin
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Günter Rudolph
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Claus Weihs
Music Pattern Discovery with Variable Markov Oracle: A Unified Approach to Symbolic and Audio Representations
Cheng-i Wang
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Jennifer Hsu
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Shlomo Dubnov
Automatic Solfège Assessment
Rodrigo Schramm
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Helena de Souza Nunes
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Cláudio Rosito Jung
Evaluating Conflict Management Mechanisms for Online Social Jukeboxes
Felipe Vieira
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Nazareno Andrade
Particle Filters for Efficient Meter Tracking with Dynamic Bayesian Networks
Ajay Srinivasamurthy
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Andre Holzapfel
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Ali Taylan Cemgil
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Xavier Serra
Analysis of the Evolution of Research Groups and Topics in the ISMIR Conference
Mohamed Sordo
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Mitsunori Ogihara
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Stefan Wuchty
A Toolkit for Live Annotation of Opera Performance: Experiences Capturing Wagner's Ring Cycle
Kevin R. Page
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Terhi Nurmikko-Fuller
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Carolin Rindfleisch
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David M. Weigl
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Richard Lewis
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Laurence Dreyfus
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David De Roure
Selective Acquisition Techniques for Enculturation-Based Melodic Phrase Segmentation
Marcelo E. Rodríguez-López
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Anja Volk
Corpus Analysis Tools for Computational Hook Discovery
Jan Van Balen
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John Ashley Burgoyne
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Dimitrios Bountouridis
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Daniel Müllensiefen
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Remco C. Veltkamp
Large-Scale Content-Based Matching of MIDI and Audio Files
Colin Raffel
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Daniel P. W. Ellis
Improving Genre Annotations for the Million Song Dataset
Hendrik Schreiber
A Software Framework for Musical Data Augmentation
Brian McFee
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Eric J. Humphrey
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Juan Pablo Bello
Drum Transcription Using Partially Fixed Non-Negative Matrix Factorization with Template Adaptation
Chih-Wei Wu
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Alexander Lerch
Beat and Downbeat Tracking Based on Rhythmic Patterns Applied to the Uruguayan Candombe Drumming
Leonardo O. Nunes
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Martín Rocamora
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Luis Jure
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Luiz W. P. Biscainho
Automated Estimation of Ride Cymbal Swing Ratios in Jazz Recordings
Christian Dittmar
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Martin Pfleiderer
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Meinard Müller
Musical Offset Detection of Pitched Instruments: The Case of Violin
Che-Yuan Liang
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Li Su
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Yi-Hsuan Yang
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Hsin-Ming Lin
Specter: Combining Music Information Retrieval with Sound Spatialization
Bill Z. Manaris
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Seth Stoudenmier
Content-Aware Collaborative Music Recommendation Using Pre-trained Neural Networks
Dawen Liang
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Minshu Zhan
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Daniel P. W. Ellis
Comparative Analysis of Orchestral Performance Recordings: An Image-Based Approach
Cynthia C. S. Liem
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Alan Hanjalic
Monaural Blind Source Separation in the Context of Vocal Detection
Bernhard Lehner
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Gerhard Widmer
Detection of Common Mistakes in Novice Violin Playing
Yin-Jyun Luo
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Li Su
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Yi-Hsuan Yang
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Tai-Shih Chi
Probabilistic Modular Bass Voice Leading in Melodic Harmonisation
Dimos Makris
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Maximos A. Kaliakatsos-Papakostas
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Emilios Cambouropoulos
An Iterative Multi Range Non-Negative Matrix Factorization Algorithm for Polyphonic Music Transcription
Anis Khlif
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Vidhyasaharan Sethu
Training Phoneme Models for Singing with "Songified" Speech Data
Anna M. Kruspe
Graph-Based Rhythm Interpretation
Rong Jin
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Christopher Raphael
Let it Bee - Towards NMF-Inspired Audio Mosaicing
Jonathan Driedger
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Thomas Prätzlich
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Meinard Müller
Real-Time Music Tracking Using Multiple Performances as a Reference
Andreas Arzt
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Gerhard Widmer
Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections
Peter Knees
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Ángel Faraldo
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Perfecto Herrera
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Richard Vogl
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Sebastian Böck
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Florian Hörschläger
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Mickael Le Goff
Towards Support for Understanding Classical Music: Alignment of Content Descriptions on the Web
Taku Kuribayashi
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Yasuhito Asano
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Masatoshi Yoshikawa
FlaBase: Towards the Creation of a Flamenco Music Knowledge Base
Sergio Oramas
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Francisco Gómez
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Emilia Gómez
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Joaquín Mora
Discovery of Syllabic Percussion Patterns in Tabla Solo Recordings
Swapnil Gupta
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Ajay Srinivasamurthy
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Manoj Kumar
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Hema A. Murthy
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Xavier Serra
Autoregressive Hidden Semi-Markov Model of Symbolic Music Performance for Score Following
Eita Nakamura
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Philippe Cuvillier
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Arshia Cont
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Nobutaka Ono
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Shigeki Sagayama
Automatic Mashup Creation by Considering both Vertical and Horizontal Mashabilities
Chuan-Lung Lee
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Yin-Tzu Lin
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Zun-Ren Yao
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Feng-Yi Lee
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Ja-Ling Wu
Hierarchical Evaluation of Segment Boundary Detection
Brian McFee
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Oriol Nieto
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Juan Pablo Bello
Improving MIDI Guitar's Accuracy with NMF and Neural Net
Masaki Otsuka
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Tetsuro Kitahara
Analysis of Intonation Trajectories in Solo Singing
Jiajie Dai
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Matthias Mauch
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Simon Dixon
Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories
Maximos A. Kaliakatsos-Papakostas
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Asterios I. Zacharakis
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Costas Tsougras
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Emilios Cambouropoulos
Beat Histogram Features from NMF-Based Novelty Functions for Music Classification
Athanasios Lykartsis
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Chih-Wei Wu
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Alexander Lerch
Music Shapelets for Fast Cover Song Recognition
Diego Furtado Silva
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Vinícius M. A. de Souza
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Gustavo E. A. P. A. Batista
Improving Score-Informed Source Separation for Classical Music through Note Refinement
Marius Miron
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Julio José Carabias-Orti
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Jordi Janer
In Their Own Words: Using Text Analysis to Identify Musicologists' Attitudes towards Technology
Charles Inskip
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Frans Wiering
Combining Features for Cover Song Identification
Julien Osmalskyj
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Peter Foster
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Simon Dixon
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Jean-Jacques Embrechts
Score Following for Piano Performances with Sustain-Pedal Effects
Bochen Li
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Zhiyao Duan
Understanding Users of Commercial Music Services through Personas: Design Implications
Jin Ha Lee
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Rachel Price
Corpus-Based Rhythmic Pattern Analysis of Ragtime Syncopation
Hendrik Vincent Koops
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Anja Volk
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W. Bas de Haas
Comparing Voice and Stream Segmentation Algorithms
Nicolas Guiomard-Kagan
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Mathieu Giraud
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Richard Groult
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Florence Levé
Melody Extraction by Contour Classification
Rachel M. Bittner
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Justin Salamon
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Slim Essid
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Juan Pablo Bello
Comparison of the Singing Style of Two Jingju Schools
Rafael Caro Repetto
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Rong Gong
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Nadine Kroher
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Xavier Serra
Improving Optical Music Recognition by Combining Outputs from Multiple Sources
Victor Padilla
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Alex McLean
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Alan Marsden
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Kia Ng
Relating Natural Language Text to Musical Passages
Richard F. E. Sutcliffe
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Tim Crawford
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Chris Fox
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Deane L. Root
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Eduard H. Hovy
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Richard Lewis
Music Boundary Detection Using Neural Networks on Combined Features and Two-Level Annotations
Thomas Grill
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Jan Schlüter
Neuroimaging Methods for Music Information Retrieval: Current Findings and Future Prospects
Blair Kaneshiro
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Jacek P. Dmochowski
Improving Visualization of High-Dimensional Music Similarity Spaces
Arthur Flexer
I-Vectors for Timbre-Based Music Similarity and Music Artist Classification
Hamid Eghbal-zadeh
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Bernhard Lehner
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Markus Schedl
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Gerhard Widmer
Correlating Extracted and Ground-Truth Harmonic Data in Music Retrieval Tasks
Dylan Freedman
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Eddie Kohler
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Hans Tutschku
Classical Music on the Web - User Interfaces and Data Representations
Martin Gasser
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Andreas Arzt
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Thassilo Gadermaier
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Maarten Grachten
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Gerhard Widmer
A Statistical View on the Expressive Timing of Piano Rolled Chords
Mutian Fu
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Guangyu Xia
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Roger B. Dannenberg
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Larry A. Wasserman
Hybrid Long- and Short-Term Models of Folk Melodies
Srikanth Cherla
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Son N. Tran
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Tillman Weyde
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Artur S. d'Avila Garcez
Efficient Melodic Query Based Audio Search for Hindustani Vocal Compositions
Kaustuv Kanti Ganguli
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Abhinav Rastogi
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Vedhas Pandit
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Prithvi Kantan
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Preeti Rao
Modified Perceptual Linear Prediction Liftered Cepstrum (MPLPLC) Model for Pop Cover Song Recognition
Ning Chen
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J. Stephen Downie
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Haidong Xiao
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Yu Zhu
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Jie Zhu
Raga Verification in Carnatic Music Using Longest Common Segment Set
Shrey Dutta
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Krishnaraj Sekhar PV
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Hema A. Murthy
Instrument Identification in Optical Music Recognition
Yucong Jiang
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Christopher Raphael
Cross-Version Singing Voice Detection in Classical Opera Recordings
Christian Dittmar
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Bernhard Lehner
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Thomas Prätzlich
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Meinard Müller
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Gerhard Widmer
Accurate Tempo Estimation Based on Recurrent Neural Networks and Resonating Comb Filters
Sebastian Böck
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Florian Krebs
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Gerhard Widmer
Musicology of Early Music with Europeana Tools and Services
Erik Duval
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Marnix van Berchum
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Anja Jentzsch
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Gonzalo Alberto Parra Chico
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Andreas Drakos
Singing Voice Separation from Monaural Music Based on Kernel Back-Fitting Using Beta-Order Spectral Amplitude Estimation
Hye-Seung Cho
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Jun-Yong Lee
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Hyoung-Gook Kim
Schematizing the Treatment of Dissonance in 16th-Century Counterpoint
Andie Sigler
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Jon Wild
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Eliot Handelman
Predictive Power of Personality on Music-Genre Exclusivity
Jotthi Bansal
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Matthew Woolhouse
A Comparison of Symbolic Similarity Measures for Finding Occurrences of Melodic Segments
Berit Janssen
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Peter van Kranenburg
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Anja Volk
PAD and SAD: Two Awareness-Weighted Rhythmic Similarity Distances
Daniel Gómez-Marín
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Sergi Jordà
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Perfecto Herrera
Four Timely Insights on Automatic Chord Estimation
Eric J. Humphrey
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Juan Pablo Bello
Improving Melodic Similarity in Indian Art Music Using Culture-Specific Melodic Characteristics
Sankalp Gulati
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Joan Serrà
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Xavier Serra
Searching Lyrical Phrases in A-Capella Turkish Makam Recordings
Georgi Dzhambazov
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Sertan Sentürk
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Xavier Serra
Quantifying Lexical Novelty in Song Lyrics
Robert J. Ellis
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Zhe Xing
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Jiakun Fang
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Ye Wang
An Efficient Temporally-Constrained Probabilistic Model for Multiple-Instrument Music Transcription
Emmanouil Benetos
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Tillman Weyde
Electric Guitar Playing Technique Detection in Real-World Recording Based on F0 Sequence Pattern Recognition
Yuan-Ping Chen
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Li Su
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Yi-Hsuan Yang
Extending a Model of Monophonic Hierarchical Music Analysis to Homophony
Phillip B. Kirlin
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David L. Thomas
The MIR Perspective on the Evolution of Dynamics in Mainstream Music
Emmanuel Deruty
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François Pachet
Theme And Variation Encodings with Roman Numerals (TAVERN): A New Data Set for Symbolic Music Analysis
Johanna Devaney
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Claire Arthur
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Nathaniel Condit-Schultz
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Kirsten Nisula
Benford's Law for Music Analysis
Isabel Barbancho
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Lorenzo J. Tardón
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Ana M. Barbancho
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Mateu Sbert
An Audio to Score Alignment Framework Using Spectral Factorization and Dynamic Time Warping
Julio José Carabias-Orti
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Francisco J. Rodríguez-Serrano
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Pedro Vera-Candeas
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Nicolás Ruiz-Reyes
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Francisco J. Cañadas-Quesada
New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools
Daniel Matz
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Estefanía Cano
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Jakob Abeßer
Automatic Transcription of Ornamented Irish Traditional Flute Music Using Hidden Markov Models
Peter Jancovic
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Münevver Köküer
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Wrena Baptiste
Towards Music Imagery Information Retrieval: Introducing the OpenMIIR Dataset of EEG Recordings from Music Perception and Imagination
Sebastian Stober
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Avital Sternin
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Adrian M. Owen
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Jessica A. Grahn
Emotion Based Segmentation of Musical Audio
Anna Aljanaki
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Frans Wiering
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Remco C. Veltkamp
MIREX Grand Challenge 2014 User Experience: Qualitative Analysis of User Feedback
Jin Ha Lee
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Xiao Hu
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Kahyun Choi
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J. Stephen Downie
AcousticBrainz: A Community Platform for Gathering Music Information Obtained from Audio
Alastair Porter
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Dmitry Bogdanov
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Robert Kaye
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Roman Tsukanov
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Xavier Serra
How Music Alters Decision Making - Impact of Music Stimuli on Emotional Classification
Elad Liebman
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Peter Stone
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Corey N. White
Put the Concert Attendee in the Spotlight. A User-Centered Design and Development Approach for Classical Concert Applications
Mark S. Melenhorst
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Cynthia C. S. Liem
Analysis of Expressive Musical Terms in Violin Using Score-Informed and Expression-Based Audio Features
Pei-Ching Li
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Li Su
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Yi-Hsuan Yang
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Alvin W. Y. Su
Spectral Learning for Expressive Interactive Ensemble Music Performance
Guangyu Xia
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Yun Wang
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Roger B. Dannenberg
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Geoffrey Gordon
Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos
Jakob Abeßer
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Estefanía Cano
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Klaus Frieler
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Martin Pfleiderer
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Wolf-Georg Zaddach