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Proceedings of the 22nd International Society for Music Information Retrieval Conference, ISMIR 2021, Online, November 7-12, 2021

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Proceedings of the 22nd International Society for Music Information Retrieval Conference, ISMIR 2021, Online, November 7-12, 2021

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Four-way Classification of Tabla Strokes with Models Adapted from Automatic Drum Transcription
Rohit M. A. | Amitrajit Bhattacharjee | Preeti Rao

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A Contextual Latent Space Model: Subsequence Modulation in Melodic Sequence
Taketo Akama

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OMR-assisted transcription: a case study with early prints
María Alfaro-Contreras | David Rizo | José M. Iñesta | Jorge Calvo-Zaragoza

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Deeper Convolutional Neural Networks and Broad Augmentation Policies Improve Performance in Musical Key Estimation
Stefan A. Baumann

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The Music Performance Markup Format and Ecosystem
Axel Berndt

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Identification of rhythm guitar sections in symbolic tablatures
Louis Bigo | David Regnier | Nicolas Martin

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On-Line Audio-to-Lyrics Alignment Based on a Reference Performance
Charles Brazier | Gerhard Widmer

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Visualizing Intertextual Form with Arc Diagrams: Contour and Schema-based Methods
Aaron Carter-Enyi | Gilad Rabinovitch | Nathaniel Condit-Schultz

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Unsupervised Domain Adaptation for Document Analysis of Music Score Images
Francisco J. Castellanos | Antonio-Javier Gallego | Jorge Calvo-Zaragoza

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Codified audio language modeling learns useful representations for music information retrieval
Rodrigo Castellon | Chris Donahue | Percy Liang

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Variable-Length Music Score Infilling via XLNet and Musically Specialized Positional Encoding
Chin-Jui Chang | Chun-Yi Lee | Yi-Hsuan Yang

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SurpriseNet: Melody Harmonization Conditioning on User-controlled Surprise Contours
Yi-Wei Chen | Hung-Shin Lee | Yen-Hsing Chen | Hsin-Min Wang

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Semi-supervised violin fingering generation using variational autoencoders
Vincent K. M. Cheung | Hsuan-Kai Kao | Li Su

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Listen, Read, and Identify: Multimodal Singing Language Identification of Music
Keunwoo Choi | Yuxuan Wang

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On Perceived Emotion in Expressive Piano Performance: Further Experimental Evidence for the Relevance of Mid-level Perceptual Features
Shreyan Chowdhury | Gerhard Widmer

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Cosine Contours: a Multipurpose Representation for Melodies
Bas Cornelissen | Willem H. Zuidema | John Ashley Burgoyne

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Controllable deep melody generation via hierarchical music structure representation
Shuqi Dai | Zeyu Jin | Celso Gomes | Roger B. Dannenberg

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MSTRE-Net: Multistreaming Acoustic Modeling for Automatic Lyrics Transcription
Emir Demirel | Sven Ahlbäck | Simon Dixon

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Towards Automatic Instrumentation by Learning to Separate Parts in Symbolic Multitrack Music
Hao-Wen Dong | Chris Donahue | Taylor Berg-Kirkpatrick | Julian J. McAuley

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An Empirical Evaluation of End-to-End Polyphonic Optical Music Recognition
Sachinda Edirisooriya | Hao-Wen Dong | Julian J. McAuley | Taylor Berg-Kirkpatrick

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A Hardanger Fiddle Dataset with Performances Spanning Emotional Expressions and Annotations Aligned using Image Registration
Anders Elowsson | Olivier Lartillot

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Building the MetaMIDI Dataset: Linking Symbolic and Audio Musical Data
Jeffrey Ens | Philippe Pasquier

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Modeling and Inferring Proto-Voice Structure in Free Polyphony
Christoph Finkensiep | Martin Rohrmeier

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PKSpell: Data-Driven Pitch Spelling and Key Signature Estimation
Francesco Foscarin | Nicolas Audebert | Raphaël Fournier-S'niehotta

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Filosax: A Dataset of Annotated Jazz Saxophone Recordings
Dave Foster | Simon Dixon

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An interpretable music similarity measure based on path interestingness
Giovanni Gabbolini | Derek Bridge

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Leveraging Hierarchical Structures for Few-Shot Musical Instrument Recognition
Hugo Flores Garcia | Aldo Aguilar | Ethan Manilow | Bryan Pardo

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What if the 'When' Implies the 'What'?: Human harmonic analysis datasets clarify the relative role of the separate steps in automatic tonal analysis
Mark Gotham | Rainer Kleinertz | Christof Weiss | Meinard Müller | Stephanie Klauk

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Let's agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion Recognition
Juan Sebastián Gómez Cañón | Estefanía Cano | Yi-Hsuan Yang | Perfecto Herrera | Emilia Gómez

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Sequence-to-Sequence Piano Transcription with Transformers
Curtis Hawthorne | Ian Simon | Rigel Swavely | Ethan Manilow | Jesse H. Engel

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Neural Waveshaping Synthesis
Ben Hayes | Charalampos Saitis | György Fazekas

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A semi-automated workflow paradigm for the distributed creation and curation of expert annotations
Johannes Hentschel | Fabian C. Moss | Markus Neuwirth | Martin Rohrmeier

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BeatNet: CRNN and Particle Filtering for Online Joint Beat, Downbeat and Meter Tracking
Mojtaba Heydari | Frank Cwitkowitz | Zhiyao Duan

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Joint Estimation of Note Values and Voices for Audio-to-Score Piano Transcription
Yuki Hiramatsu | Eita Nakamura | Kazuyoshi Yoshii

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Learning note-to-note affinity for voice segregation and melody line identification of symbolic music data
Yo-Wei Hsiao | Li Su

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VOCANO: A note transcription framework for singing voice in polyphonic music
Jui-Yang Hsu | Li Su

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De-centering the West: East Asian Philosophies and the Ethics of Applying Artificial Intelligence to Music
Rujing Huang | Bob L. T. Sturm | Andre Holzapfel

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A Benchmarking Initiative for Audio-domain Music Generation using the FreeSound Loop Dataset
Tun-Min Hung | Bo-Yu Chen | Yen-Tung Yeh | Yi-Hsuan Yang

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EMOPIA: A Multi-Modal Pop Piano Dataset For Emotion Recognition and Emotion-based Music Generation
Hsiao-Tzu Hung | Joann Ching | Seungheon Doh | Nabin Kim | Juhan Nam | Yi-Hsuan Yang

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Piano Sheet Music Identification Using Marketplace Fingerprinting
Kevin Ji | Daniel Yang | Timothy Tsai

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Learning a cross-domain embedding space of vocal and mixed audio with a structure-preserving triplet loss
Keunhyoung Luke Kim | Jongpil Lee | Sangeun Kum | Juhan Nam

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Decoupling Magnitude and Phase Estimation with Deep ResUNet for Music Source Separation
Qiuqiang Kong | Yin Cao | Haohe Liu | Keunwoo Choi | Yuxuan Wang

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Artist Similarity Using Graph Neural Networks
Filip Korzeniowski | Sergio Oramas | Fabien Gouyon

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â??Finding Homeâ?: Understanding How Music Supports Listenersâ?? Mental Health through a Case Study of BTS
Jin Ha Lee | Arpita Bhattacharya | Ria Antony | Nicole K. Santero | Anh Le

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Cross-cultural Mood Perception in Pop Songs and its Alignment with Mood Detection Algorithms
Harin Lee | Frank Höger | Marc Schönwiesner | Minsu Park | Nori Jacoby

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Reconsidering quantization in MIR
Jordan Lenchitz

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A unified model for zero-shot music source separation, transcription and synthesis
Liwei Lin | Gus Xia | Qiuqiang Kong | Junyan Jiang

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Pitch-Informed Instrument Assignment using a Deep Convolutional Network with Multiple Kernel Shapes
Carlos Lordelo | Emmanouil Benetos | Simon Dixon | Sven Ahlbäck

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SpecTNT: a Time-Frequency Transformer for Music Audio
Wei Tsung Lu | Ju-Chiang Wang | Minz Won | Keunwoo Choi | Xuchen Song

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AugmentedNet: A Roman Numeral Analysis Network with Synthetic Training Examples and Additional Tonal Tasks
Néstor Nápoles López | Mark Gotham | Ichiro Fujinaga

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MINGUS: Melodic Improvisation Neural Generator Using Seq2Seq
Vincenzo Madaghiele | Pasquale Lisena | Raphaël Troncy

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User-centered evaluation of lyrics-to-audio alignment
Ninon Lizé Masclef | Andrea Vaglio | Manuel Moussallam

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Synthesizer Sound Matching with Differentiable DSP
Naotake Masuda | Daisuke Saito

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A Modular System for the Harmonic Analysis of Musical Scores using a Large Vocabulary
Andrew McLeod | Martin Rohrmeier

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A deep learning method for enforcing coherence in Automatic Chord Recognition
Gianluca Micchi | Katerina Kosta | Gabriele Medeot | Pierre Chanquion

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Modeling beat uncertainty as a 2D distribution of period and phase: a MIR task proposal
Martin Miguel | Diego Fernández Slezak

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A case study of deep enculturation and sensorimotor synchronization to real music
Olof Misgeld | Torbjörn Gulz | Jura Miniotaite | Andre Holzapfel

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Symbolic Music Generation with Diffusion Models
Gautam Mittal | Jesse H. Engel | Curtis Hawthorne | Ian Simon

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Learning from Musical Feedback with Sonic the Hedgehog
Faraaz Nadeem

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DarkGAN: Exploiting Knowledge Distillation for Comprehensible Audio Synthesis With GANs
Javier Nistal | Stefan Lattner | Gaël Richard

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Phase-Aware Joint Beat and Downbeat Estimation Based on Periodicity of Metrical Structure
Takehisa Oyama | Ryoto Ishizuka | Kazuyoshi Yoshii

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Agreement Among Human and Automated Transcriptions of Global Songs
Yuto Ozaki | John M. McBride | Emmanouil Benetos | Peter Q. Pfordresher | Joren Six | Adam Tierney | Polina Proutskova | Emi Sakai | Haruka Kondo | Haruno Fukatsu | Shinya Fujii | Patrick E. Savage

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Automatic Recognition of Texture in Renaissance Music
Emilia Parada-Cabaleiro | Maximilian Schmitt | Anton Batliner | Björn W. Schuller | Markus Schedl

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Is Disentanglement enough? On Latent Representations for Controllable Music Generation
Ashis Pati | Alexander Lerch

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Pulse clarity metrics developed from a deep learning beat tracking model
Nicolás Pironio | Diego Fernández Slezak | Martin Miguel

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On the Veracity of Local, Model-agnostic Explanations in Audio Classification: Targeted Investigations with Adversarial Examples
Verena Praher | Katharina Prinz | Arthur Flexer | Gerhard Widmer

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Is there a "language of music-video clips" ? A qualitative and quantitative study
Laure Prétet | Gaël Richard | Geoffroy Peeters

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Tabla Gharana Recognition from Audio music recordings of Tabla Solo performances
R. Gowriprasad. | V. Venkatesh | Hema A. Murthy | R. Aravind | K. Sri Rama Murty

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Navigating noise: Modeling perceptual correlates of noise-related semantic timbre categories with audio features
Lindsey Reymore | Emmanuelle Beauvais-Lacasse | Bennett Smith | Stephen McAdams

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Quantitative User Perceptions of Music Recommendation List Diversity
Kyle Robinson | Dan Brown

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A Formal Model of Extended Tonal Harmony
Martin Rohrmeier | Fabian C. Moss

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CRASH: Raw Audio Score-based Generative Modeling for Controllable High-resolution Drum Sound Synthesis
Simon Rouard | Gaëtan Hadjeres

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Curriculum Learning for Imbalanced Classification in Large Vocabulary Automatic Chord Recognition
Luke O. Rowe | George Tzanetakis

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Deep Embeddings and Section Fusion Improve Music Segmentation
Justin Salamon | Oriol Nieto | Nicholas J. Bryan

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Multi-Task Learning of Graph-based Inductive Representations of Music Content
Antonia Saravanou | Federico Tomasi | Rishabh Mehrotra | Mounia Lalmas

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DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models
Pedro Sarmento | Adarsh Kumar | C. J. Carr | Zack Zukowski | Mathieu Barthet | Yi-Hsuan Yang

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Does Track Sequence in User-generated Playlists Matter?
Harald Victor Schweiger | Emilia Parada-Cabaleiro | Markus Schedl

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A Differentiable Cost Measure for Intonation Processing in Polyphonic Music
Simon J. Schwär | Sebastian Rosenzweig | Meinard Müller

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Improving Music Performance Assessment With Contrastive Learning
Pavan Seshadri | Alexander Lerch

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Tracing Affordance and Item Adoption on Music Streaming Platforms
Dougal Shakespeare | Camille Roth

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Computational analysis and modeling of expressive timing in Chopin's Mazurkas
Zhengshan Shi

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Computational analysis of melodic mode switching in raga performance
Nithya Nadig Shikarpur | Asawari Keskar | Preeti Rao

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SinTra: Learning an inspiration model from a single multi-track music segment
Qingwei Song | Qiwei Sun | Dongsheng Guo | Haiyong Zheng

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Contrastive Learning of Musical Representations
Janne Spijkervet | John Ashley Burgoyne

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Musical Tempo Estimation Using a Multi-scale Network
Xiaoheng Sun | Qiqi He | Yongwei Gao | Wei Li

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On the Integration of Language Models into Sequence to Sequence Architectures for Handwritten Music Recognition
Pau Torras | Arnau Baró | Lei Kang | Alicia Fornés

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Kiite Cafe: A Web Service for Getting Together Virtually to Listen to Music
Kosetsu Tsukuda | Keisuke Ishida | Masahiro Hamasaki | Masataka Goto

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Toward an Understanding of Lyrics-viewing Behavior While Listening to Music on a Smartphone
Kosetsu Tsukuda | Masahiro Hamasaki | Masataka Goto

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The Words Remain the Same: Cover Detection with Lyrics Transcription
Andrea Vaglio | Romain Hennequin | Manuel Moussallam | Gaël Richard

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MuseBERT: Pre-training Music Representation for Music Understanding and Controllable Generation
Ziyu Wang | Gus Xia

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Supervised Metric Learning For Music Structure Features
Ju-Chiang Wang | Jordan B. L. Smith | Wei Tsung Lu | Xuchen Song

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Learning long-term music representations via hierarchical contextual constraints
Shiqi Wei | Gus Xia

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Learning Pitch-Class Representations from Score-Audio Pairs of Classical Music
Christof Weiss | Johannes Zeitler | Tim Zunner | Florian Schuberth | Meinard Müller

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Training Deep Pitch-Class Representations With a Multi-Label CTC Loss
Christof Weiss | Geoffroy Peeters

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Audio Defect Detection in Music with Deep Networks
Daniel Wolff | Rémi Mignot | Axel Roebel

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Semi-supervised Music Tagging Transformer
Minz Won | Keunwoo Choi | Xavier Serra

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Emotion Embedding Spaces for Matching Music to Stories
Minz Won | Justin Salamon | Nicholas J. Bryan | Gautham J. Mysore | Xavier Serra

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CollageNet: Fusing arbitrary melody and accompaniment into a coherent song
Abudukelimu Wuerkaixi | Christodoulos Benetatos | Zhiyao Duan | Changshui Zhang

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Human-in-the-Loop Adaptation for Interactive Musical Beat Tracking
Kazuhiko Yamamoto

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Composer Classification With Cross-Modal Transfer Learning and Musically-Informed Augmentation
Daniel Yang | Timothy Tsai

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Aligning Unsynchronized Part Recordings to a Full Mix Using Iterative Subtractive Alignment
Daniel Yang | Kevin Ji | Timothy Tsai

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ADTOF: A large dataset of non-synthetic music for automatic drum transcription
Mickaël Zehren | Marco Alunno | Paolo Bientinesi

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Learn by Referencing: Towards Deep Metric Learning for Singing Assessment
Huan Zhang | Yiliang Jiang | Tao Jiang | Hu Peng

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AccoMontage: Accompaniment Arrangement via Phrase Selection and Style Transfer
Jingwei Zhao | Gus Xia