Transactions of the International Society for Music Information Retrieval (2021)
2021 Volume 4 Issue 1
Attend to Chords: Improving Harmonic Analysis of Symbolic Music Using Transformer-Based Models
Tsung-Ping Chen
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Li Su
Automatic Transcription of Organ Tablature Music Notation with Deep Neural Networks
Daniel Schneider
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Nikolaus Korfhage
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Markus Mühling
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Peter Lüttig
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Bernd Freisleben
Automatic Generation of Piano Score Following Videos
Mengyi Shan
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T. J. Tsai
Piano Sheet Music Identification Using Dynamic N-gram Fingerprinting
Daniel Yang
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T. J. Tsai
Make That Sound More Metallic: Towards a Perceptually Relevant Control of the Timbre of Synthesizer Sounds Using a Variational Autoencoder
Fanny Roche
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Thomas Hueber
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Maëva Garnier
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Samuel Limier
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Laurent Girin
The Annotated Mozart Sonatas: Score, Harmony, and Cadence
Johannes Hentschel
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Markus Neuwirth
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Martin Rohrmeier
Automatic Hierarchy Expansion for Improved Structure and Chord Evaluation
Katherine M. Kinnaird
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Brian McFee
On End-to-End White-Box Adversarial Attacks in Music Information Retrieval
Katharina Prinz
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Arthur Flexer
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Gerhard Widmer
Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation
Fabio Morreale
Diversity by Design in Music Recommender Systems
Lorenzo Porcaro
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Carlos Castillo
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Emilia Gómez
Towards Leitmotif Activity Detection in Opera Recordings
Michael Krause
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Meinard Müller
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Christof Weiß
Improving Audio Chord Estimation by Alignment and Integration of Crowd-Sourced Symbolic Music
Daphne Odekerken
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Hendrik Vincent Koops
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Anja Volk
Drumroll Please: Modeling Multi-Scale Rhythmic Gestures with Flexible Grids
Jon Gillick
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Joshua Yang
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Carmine-Emanuele Cella
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David Bamman
Audio and Music Analysis on the Web using Essentia.js
Albin Andrew Correya
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Jorge Marcos-Fernández
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Luis Joglar-Ongay
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Pablo Alonso-Jiménez
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Xavier Serra
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Dmitry Bogdanov
On Evaluation of Inter- and Intra-Rater Agreement in Music Recommendation
Arthur Flexer
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Taric Lallai
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Katja Rasl
Audiovisual Singing Voice Separation
Bochen Li
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Yuxuan Wang
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Zhiyao Duan
Evaluating Creativity in Automatic Reactive Accompaniment of Jazz Improvisation
Fabian Ostermann
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Igor Vatolkin
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Günter Rudolph
Sliding-Window Pitch-Class Histograms as a Means of Modeling Musical Form
Dror Chawin
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Uri B. Rom
We are Not Groupies⋯ We are Band Aids': Assessment Reliability in the AI Song Contest
John Ashley Burgoyne
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Hendrik Vincent Koops
Sesquialtera in the Colombian Bambuco: Perception and Estimation of Beat and Meter - Extended version
Estefanía Cano
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Fernando Mora Ángel
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Gustavo López Gil
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José Ricardo Zapata
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Antonio Escamilla
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Juan Fernando Alzate
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Moises Betancur Peláez
I Keep Counting: An Experiment in Human/AI Co-creative Songwriting
Gianluca Micchi
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Louis Bigo
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Mathieu Giraud
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Richard Groult
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Florence Levé