Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012
Fabien Gouyon, Perfecto Herrera, Luis Gustavo Martins, Meinard Müller (Editors)
- Anthology ID:
- 2012.ismir_conference-2012
- Year:
- 2012
- Venue:
- ismir_conference
- Publisher:
- FEUP Edições
- URL:
- https://ismir2012.ismir.net/event/978-972-752-144-9.pdf
- DBLP:
- conf/ismir/2012
- PDF:
- https://ismir2012.ismir.net/event/978-972-752-144-9.pdf
Influence in Early Electronic Dance Music: An Audio Content Analysis Investigation
Nick Collins
Association Mining of Folk Music Genres and Toponyms
Kerstin Neubarth
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Izaro Goienetxea
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Colin Johnson
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Darrell Conklin
Characterization of Embellishments in Ney Performances of Makam Music in Turkey
Tan Hakan Özaslan
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Xavier Serra
|
Josep Lluís Arcos
Cross-cultural Music Mood Classification: A Comparison on English and Chinese Songs
Yi-Hsuan Yang
|
Xiao Hu
Towards a (Better) Definition of the Description of Annotated MIR Corpora
Geoffroy Peeters
|
Karën Fort
Modeling Musical Mood From Audio Features and Listening Context on an In-Situ Data Set
Diane K. Watson
|
Regan L. Mandryk
Analyzing Drum Patterns Using Conditional Deep Belief Networks
Eric Battenberg
|
David Wessel
N-gram Based Statistical Makam Detection on Makam Music in Turkey Using Symbolic Data
Erdem Ünal
|
Baris Bozkurt
|
Mustafa Kemal Karaosmanoglu
Evaluating the Online Capabilities of Onset Detection Methods
Sebastian Böck
|
Florian Krebs
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Markus Schedl
Structure-Based Audio Fingerprinting for Music Retrieval
Peter Grosche
|
Joan Serrà
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Meinard Müller
|
Josep Lluís Arcos
Bridging Printed Music and Audio Through Alignment Using a Mid-level Score Representation
Özgür Izmirli
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Gyanendra Sharma
Real-time Online Singing Voice Separation from Monaural Recordings Using Robust Low-rank Modeling
Pablo Sprechmann
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Alexander M. Bronstein
|
Guillermo Sapiro
Folksonomy-based Tag Recommendation for Online Audio Clip Sharing
Frederic Font
|
Joan Serrà
|
Xavier Serra
Infinite Composite Autoregressive Models for Music Signal Analysis
Kazuyoshi Yoshii
|
Masataka Goto
Professionally-produced Music Separation Guided by Covers
Timothée Gerber
|
Martin Dutasta
|
Laurent Girin
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Cédric Févotte
Bayesian Nonnegative Harmonic-Temporal Factorization and Its Application to Multipitch Analysis
Daichi Sakaue
|
Takuma Otsuka
|
Katsutoshi Itoyama
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Hiroshi G. Okuno
A Scape Plot Representation for Visualizing Repetitive Structures of Music Recordings
Meinard Müller
|
Nanzhu Jiang
A Systematic Comparison of Music Similarity Adaptation Approaches
Daniel Wolff
|
Sebastian Stober
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Andreas Nürnberger
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Tillman Weyde
Using Hyper-genre Training to Explore Genre Information for Automatic Chord Estimation
Yizhao Ni
|
Matt McVicar
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Raúl Santos-Rodriguez
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Tijl De Bie
Semi-supervised NMF with Time-frequency Annotations for Single-channel Source Separation
Augustin Lefèvre
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Francis R. Bach
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Cédric Févotte
Neon.js: Neume Editor Online
Gregory Burlet
|
Alastair Porter
|
Andrew Hankinson
|
Ichiro Fujinaga
Modeling Chord and Key Structure with Markov Logic
Hélène Papadopoulos
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George Tzanetakis
A Geometric Language for Representing Structure in Polyphonic Music
David Meredith
Unsupervised Learning of Local Features for Music Classification
Jan Wülfing
|
Martin A. Riedmiller
Modeling Piano Interpretation Using Switching Kalman Filter
Yupeng Gu
|
Christopher Raphael
Interpreting Rhythm in Optical Music Recognition
Rong Jin
|
Christopher Raphael
Assigning a Confidence Threshold on Automatic Beat Annotation in Large Datasets
José Ricardo Zapata
|
Andre Holzapfel
|
Matthew E. P. Davies
|
João Lobato Oliveira
|
Fabien Gouyon
A Corpus-based Study of Rhythm Patterns
Matthias Mauch
|
Simon Dixon
One in the Jungle: Downbeat Detection in Hardcore, Jungle, and Drum and Bass
Jason Hockman
|
Matthew E. P. Davies
|
Ichiro Fujinaga
A MIREX Meta-analysis of Hubness in Audio Music Similarity
Arthur Flexer
|
Dominik Schnitzer
|
Jan Schlueter
How Significant is Statistically Significant? The case of Audio Music Similarity and Retrieval
Julián Urbano
|
J. Stephen Downie
|
Brian McFee
|
Markus Schedl
Statistical Characterisation of Melodic Pitch Contours and its Application for Melody Extraction
Justin Salamon
|
Geoffroy Peeters
|
Axel Röbel
Detecting Melodic Motifs from Audio for Hindustani Classical Music
Joe Cheri Ross
|
Vinutha T. P.
|
Preeti Rao
Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms
Gopala K. Koduri
|
Joan Serrà
|
Xavier Serra
Discriminative Non-negative Matrix Factorization for Multiple Pitch Estimation
Nicolas Boulanger-Lewandowski
|
Yoshua Bengio
|
Pascal Vincent
A Feature Relevance Study for Guitar Tone Classification
Wolfgang Fohl
|
Andreas Meisel
|
Ivan Turkalj
String Methods for Folk Tune Genre Classification
Ruben Hillewaere
|
Bernard Manderick
|
Darrell Conklin
A Turkish Makam Music Symbolic Database for Music Information Retrieval: SymbTr
Mustafa Kemal Karaosmanoglu
Polyphonic Music Classification on Symbolic Data Using Dissimilarity Functions
Yoko Anan
|
Kohei Hatano
|
Hideo Bannai
|
Masayuki Takeda
|
Ken Satoh
Semiotic Structure Labeling of Music Pieces: Concepts, Methods and Annotation Conventions
Frédéric Bimbot
|
Emmanuel Deruty
|
Gabriel Sargent
|
Emmanuel Vincent
Large-Scale Cover Song Recognition Using the 2D Fourier Transform Magnitude
Thierry Bertin-Mahieux
|
Daniel P. W. Ellis
Creating Ground Truth for Audio Key Finding: When the Title Key May Not Be the Key
Ching-Hua Chuan
|
Elaine Chew
Understanding User Requirements for Music Information Services
Jin Ha Lee
|
Nichole Maiman Waterman
The Impact of MIREX on Scholarly Research (2005 - 2010)
Sally Jo Cunningham
|
David Bainbridge
|
J. Stephen Downie
An Emotion Model for Music Using Brain Waves
Rafael Cabredo
|
Roberto Sebastian Legaspi
|
Paul Salvador Inventado
|
Masayuki Numao
Music Structure Analysis by Ridge Regression of Beat-synchronous Audio Features
Yannis Panagakis
|
Constantine Kotropoulos
Score-Informed Leading Voice Separation from Monaural Audio
Cyril Joder
|
Björn W. Schuller
On Measuring Syncopation to Drive an Interactive Music System
George Sioros
|
Andre Holzapfel
|
Carlos Guedes
Current Challenges in the Evaluation of Predominant Melody Extraction Algorithms
Justin Salamon
|
Julián Urbano
Improving Audio Chord Transcription by Exploiting Harmonic and Metric Knowledge
W. Bas de Haas
|
José Pedro Magalhães
|
Frans Wiering
Reducing Tempo Octave Errors by Periodicity Vector Coding And SVM Learning
Aggelos Gkiokas
|
Vassilis Katsouros
|
George Carayannis
Context-free 2D Tree Structure Model of Musical Notes for Bayesian Modeling of Polyphonic Spectrograms
Hirokazu Kameoka
|
Kazuki Ochiai
|
Masahiro Nakano
|
Masato Tsuchiya
|
Shigeki Sagayama
Compressing Music Recordings into Audio Summaries
Oriol Nieto
|
Eric J. Humphrey
|
Juan Pablo Bello
Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic Music
Mert Bay
|
Andreas F. Ehmann
|
James W. Beauchamp
|
Paris Smaragdis
|
J. Stephen Downie
Feature Learning in Dynamic Environments: Modeling the Acoustic Structure of Musical Emotion
Erik M. Schmidt
|
Jeffrey J. Scott
|
Youngmoo E. Kim
User-centered Measures vs. System Effectiveness in Finding Similar Songs
Xiao Hu
|
Noriko Kando
Towards Time-resilient MIR Processes
Rudolf Mayer
|
Andreas Rauber
Hypergraph Models of Playlist Dialects
Brian McFee
|
Gert R. G. Lanckriet
Learning to Embed Songs and Tags for Playlist Prediction
Joshua L. Moore
|
Shuo Chen
|
Thorsten Joachims
|
Douglas Turnbull
Extracting Semantic Information from an Online Carnatic Music Forum
Mohamed Sordo
|
Joan Serrà
|
Gopala K. Koduri
|
Xavier Serra
Ranking Lyrics for Online Search
Robert Macrae
|
Simon Dixon
The Role Of Music in the Lives of Homeless Young People: A Preliminary Report
Jill Palzkill Woelfer
|
Jin Ha Lee
A Survey on Music Listening and Management Behaviours
Mohsen Kamalzadeh
|
Dominikus Baur
|
Torsten Möller
Automatic Music Transcription: Breaking the Glass Ceiling
Emmanouil Benetos
|
Simon Dixon
|
Dimitrios Giannoulis
|
Holger Kirchhoff
|
Anssi Klapuri
Putting the User in the Center of Music Information Retrieval
Markus Schedl
|
Arthur Flexer
The Impact (or Non-impact) of User Studies in Music Information Retrieval
Jin Ha Lee
|
Sally Jo Cunningham
Mel Cepstrum & Ann Ova: The Difficult Dialog Between MIR and Music Cognition
Jean-Julien Aucouturier
|
Emmanuel Bigand
Moving Beyond Feature Design: Deep Architectures and Automatic Feature Learning in Music Informatics
Eric J. Humphrey
|
Juan Pablo Bello
|
Yann LeCun
Reuse, Remix, Repeat: the Workflows of MIR
Kevin R. Page
|
Benjamin Fields
|
David De Roure
|
Tim Crawford
|
J. Stephen Downie
Multi-Template Shift-Variant Non-Negative Matrix Deconvolution for Semi-Automatic Music Transcription
Holger Kirchhoff
|
Simon Dixon
|
Anssi Klapuri
Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings
Aggelos Pikrakis
|
Francisco Gómez
|
Sergio Oramas
|
José Miguel Díaz-Báñez
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Joaquín Mora
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Francisco Escobar-Borrego
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Emilia Gómez
|
Justin Salamon
A Cross-version Approach for Stabilizing Tempo-based Novelty Detection
Meinard Müller
|
Thomas Prätzlich
|
Jonathan Driedger
Fast Identification of Piece and Score Position via Symbolic Fingerprinting
Andreas Arzt
|
Sebastian Böck
|
Gerhard Widmer
A Multimedia Search and Navigation Prototype, Including Music and Video-clips
Geoffroy Peeters
|
Frédéric Cornu
|
Christophe Charbuillet
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Damien Tardieu
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Juan José Burred
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Marie Vian
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Valérie Botherel
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Jean-Bernard Rault
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Jean-Philippe Cabanal
Chord Recognition Using Duration-explicit Hidden Markov Models
Ruofeng Chen
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Weibin Shen
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Ajay Srinivasamurthy
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Parag Chordia
Finding Repeating Stanzas in Folk Songs
Ciril Bohak
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Matija Marolt
Detecting Episodes with Harmonic Sequences for Fugue Analysis
Mathieu Giraud
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Richard Groult
|
Florence Levé
Inferring Chord Sequence Meanings via Lyrics: Process and Evaluation
Tom O'Hara
|
Nico Schüler
|
Yijuan Lu
|
Dan Tamir
Facilitating Comprehensive Benchmarking Experiments on the Million Song Dataset
Alexander Schindler
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Rudolf Mayer
|
Andreas Rauber
Decoding Tempo and Timing Variations in Music Recordings from Beat Annotations
Andrew Robertson
Unsupervised Chord-Sequence Generation from an Audio Example
Katerina Kosta
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Marco Marchini
|
Hendrik Purwins
Listening Level Changes Music Similarity
Michael Terrell
|
György Fazekas
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Andrew Simpson
|
Jordan B. L. Smith
|
Simon Dixon
Pitch Content Visualization Tools for Music Performance Analysis
Luis Jure
|
Ernesto López
|
Martín Rocamora
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Pablo Cancela
|
Haldo Sponton
|
Ignacio Irigaray
A Multipitch Approach to Tonic Identification in Indian Classical Music
Justin Salamon
|
Sankalp Gulati
|
Xavier Serra
Separating Presentation and Content in MEI
Laurent Pugin
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Johannes Kepper
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Perry Roland
|
Maja Hartwig
|
Andrew Hankinson
A Study of Intonation in Three-Part Singing using the Automatic Music Performance Analysis and Comparison Toolkit (AMPACT)
Johanna Devaney
|
Michael I. Mandel
|
Ichiro Fujinaga
Influence of Peak Selection Methods on Onset Detection
Carlos Rosão
|
Ricardo Ribeiro
|
David Martins de Matos
Evaluation of Musical Features for Emotion Classification
Yading Song
|
Simon Dixon
|
Marcus T. Pearce
BLAST for Audio Sequences Alignment: A Fast Scalable Cover Identification Tool
Benjamin Martin
|
Daniel G. Brown
|
Pierre Hanna
|
Pascal Ferraro
A Cross-cultural Study of Music Mood Perception between American and Chinese Listeners
Xiao Hu
|
Jin Ha Lee
Shortest Path Techniques for Annotation and Retrieval of Environmental Sounds
Brandon Mechtley
|
Andreas Spanias
|
Perry Cook
Multivariate Autoregressive Mixture Models for Music Auto-Tagging
Emanuele Coviello
|
Yonatan Vaizman
|
Antoni B. Chan
|
Gert R. G. Lanckriet
Building Musically-relevant Audio Features through Multiple Timescale Representations
Philippe Hamel
|
Yoshua Bengio
|
Douglas Eck
A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals
Juan J. Bosch
|
Jordi Janer
|
Ferdinand Fuhrmann
|
Perfecto Herrera
Learning Sparse Feature Representations for Music Annotation and Retrieval
Juhan Nam
|
Jorge Herrera
|
Malcolm Slaney
|
Julius O. Smith III
Score Analyzer: Automatically Determining Scores Difficulty Level for Instrumental e-Learning
Véronique Sébastien
|
Henri Ralambondrainy
|
Olivier Sébastien
|
Noël Conruyt
Digital Document Image Retrieval Using Optical Music Recognition
Andrew Hankinson
|
John Ashley Burgoyne
|
Gabriel Vigliensoni
|
Alastair Porter
|
Jessica Thompson
|
Wendy Liu
|
Remi Chiu
|
Ichiro Fujinaga
Music/Voice Separation Using the Similarity Matrix
Zafar Rafii
|
Bryan Pardo
Breathy or Resonant - A Controlled and Curated Dataset for Phonation Mode Detection in Singing
Polina Proutskova
|
Christophe Rhodes
|
Geraint A. Wiggins
|
Tim Crawford
Robust Singer Identification in Polyphonic Music using Melody Enhancement and Uncertainty-based Learning
Mathieu Lagrange
|
Alexey Ozerov
|
Emmanuel Vincent
Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing
Emilia Gómez
|
Francisco J. Cañadas-Quesada
|
Justin Salamon
|
Jordi Bonada
|
Pedro Vera-Candeas
|
Pablo Cabañas Molero